2011-10-02

Unit20- Project 01 (Brief Copied From http://marjan-colletti.blogspot.com/)

Diploma Unit 20: Marcos Cruz, Marjan Colletti, Hannes Mayer

Soft, Sensual, Synthetic: Green Paradigms in the Postdigital Era
Unit 20 has formed a particular interest in crossing boundaries of the traditional architectural practice, envisioning innovative conditions in design. By looking into advances within a wide range of sciences and art - bio-medics, small-scale intelligence, material engineering and digital aesthetics - students are supported to develop an individual research field. The projects, on various scales, will develop an architecture that is built up by many different strata of applied scientific knowledge, software based morphologies, micro-worlds and intelligent environments, as well as local and global policies, traditions and cultures.

Most of the contemporary and fashionable «green» concepts are the collectively acceptable mainstream leftovers or technological implementations of avant-garde thoughts, which can be traced back to the oil crisis in the seventies and the subsequent emergence of a green movement. The radical and holistic thoughts of the beginning were most notably and globally voiced in 1992 as Agenda 21 at the United Nations Conference on Environment and Development held in Rio de Janeiro. However, the roots of such movement can be traced back to the 19th century with the formation of biology as a scientific subject coining the now commonly used words habitat, milieu and ecology.

Being in the teens of the 21st century challenges us to look for new alternatives and visionary thoughts that uncover and re-integrate a relationship which has been lost in translation: man-architecture-nature.

Modernity tried to formulate a reality that was independent from nature. Architecture was raised on pilotis and sought refuge in abstract art. But in the recent past, nature has regained its place as a quintessential reference for architecture, thus seeking for a different design approach, one that is soft, sensual and more synthetic. Natural complexity and exuberance succeeded classical simplicity and reduction. Instead of opposition, man-architecture-nature is now seen as a more intertwined formation of an overall environmental/cultural/architectural manifold. More than anything, it reflects our postdigital condition in which architecture aims at a more human dimension in digital design.

It focuses on the body as an inside-out generative tool rather than architecture being generated from outside. Ultimately, this raises new questions about how the binary thinking of in/out spaces dissolves into the gradient from public space to private sphere; more fundamentally, how architecture is designed out of and within the bubbling pool of the irreducible wealth of culture, nature and human life.

For each individual research, students will be asked to associate themselves with external institutes or agencies, such as UCL Synthetic Biology, UCL Energy Institute, UCL Algae, Greenpeace UK, The European Institute for Environment and Sustainability (IES), BioBE / University of Oregon, SymbioticA / University of Western Australia.

Schedule
First project
: Soft project – submission to the 9th Sao Paulo Biennale Student Competition - deadline 17.10.11
http://www.iabsp.org.br/student_contest_nonaBia.asp
Second project
: Sensual (urban) project - deadline 21.11.2011
Field Trip
: Brasil – Sao Paulo to Rio de Janeiro 22.11.11 – 29.11.11
Includes visit to the 9th International Architecture Biennale in Sao Paulo (02.11.11 to 04.12.11) and Olympic sites in Rio de Janeiro

Third Project
: Synthetic project, to be decided individually – deadline: June 2012.

2011-02-16

Digital Craft Council's update-02

3D PRINTING TECHNOLOGY IN REALITY NOW
SAMPLE STUDY -
RADIOLARIA PAVILION BY SHIRO STUDIO
Andrea Morgante, founder of Shiro Studio, has collaborated with D-Shape to
produce the Radiolaria pavilion, a complex, free-form structure produced using
the world’s largest 3D printer.
Measuring 3 x 3 x 3 metres, the structure is a scale model of a final 10-metre
tall pavilion to be built in Pontedera, Italy, in 2010. D-Shape developed the first
large-scale stereolithic printer in 2008 aiming to offer architects the design freedom
that rapid prototyping allows them but has so far been confined to scale
models. The structure is made of an artificial sandstone material and does not
feature any internal, steel reinforcement.

SAMPLE FEATURE HIGHLIGHT FOR
FUTURIST USE
-MODEL SIZE: 3*3*3 M (TAKES 24 HOURS
TO COMPLETE)
-THE FIRST LARGE-SCALE STEREOLITHIC
PRINTER
-THE STRUCTURE IS MADE OF AN ARTIFICIAL
SANDSTONE MATERIAL AND DOES
NOT FEATURE ANY INTERNAL, STEEL REINFORCEMENT
-THE FIRST LARGE-SCALE STEREOLITHIC
PRINTER
-SURPLUS MATERIAL CAN BE REUSED



THE MAJOY TECHNOLOGICAL SUPPLIERD-
SHAPE INTRODUCTION
SERVICE AREA FOR D-SHAPE COMPANY



PGROMMATIC ANALYSIS OF CRAFT STUDIO’S ARRANGEMENT
POSSIBILITIES

The ciuculation study and programmatic study


DESIGN STRATEGY 01- ELEMENTS FROM VICTORIAN AGE PATTERN’S
RE-TREATMENT

The new studio’s plan is a combination of pattern elements and studio’s programmatic study. The scale study is set up in 3*3*3m gird (the standard printing bed dimension from mega rapid prototype machine)

Pattern’s transition from 2D to 3D Frame network_
A parametric script has been built for the series curve rebuild process. Massive rapid products have then been generated through the changing of curve angle, the subdivision points amount



Drawing here is the very basic starting of organizing the pattern responsive studio. Volumetric surface is expanding and responsive to basic ‘rebuild pattern wire-frame from previous step.



As the very initial form exploration process, the studio’s variation is a parametric
treatment to existing Victorian pattern’s element(s). Here, five different
possbilities of studio types are the result of analyzing existing craft treasure.
The strip element is deformed by controling of 3D printing given grid (3m*
3m) on the base .Space arrangement is basing on the previous block programmatic
study and three types of circulation system studies: Visitors, Buyers,
Craftman.
The control of Heigh (Z-axis) and openess is based on three majoy parts in
one studio componant: Show Room, Sale Space, and Workshop Area. This
is a special design strategy that is aiming to create a new mode of interface
between craft artist and the coming visitors. In a way, this studio is fusing
workshop together with show space and shop. From making, to showing and
selling, crafts council will offer digital artists a platform of advertising themselves.
The paramtric control offers more effecient method of merging different using
conditions by different studio types( weaving, ceramic, stone carving). Also it
gives a good base of applying ornamental reponsive space later.





These five types are the responsive volumetric strip basing on previous Wireframe
exploration. These single studio prototypes offer the arrangement possibilities
for the next step’s various studio combination option.






2010-12-20

3d Print- the world will be simplified

I did little bit research about 3d printing rapid-p technology. And Now I'm trying to put all the relevant links together, before everything start, and before my internet explorer get crashed. The research result from this week will directly suggest my portfolio style for the 1st term, or even for the rest of the 4th year. I really want to get 3d-printing idea a bit more serious. Apart from powder and glue the layering, what else can I get from this technological area.

http://www.answers.com/topic/3d-printing

So far these are the potential area that I could explore, which related the techniques I've already got(parametric modeling,shadow control, particle training,2.5D etc.)

01_Modular architecture
02_Industrial typology which will based on the recycle of one or one type of object. It still depends on the site I choose.
so for this one it's more relevant because clearly it's linking to the mechanical process, certain object- powder- density difference/ gravity difference/ rescale the volume/ - layering- printing the new object

This can be very interesting, experimentally, this will give a new concept of treating the waste, and will be equally transferred to the powder material, for example, there will be food powder, the waste steel powder... depends on which area I'm gonna focus on.

http://replicatorinc.com/blog/2009/02/4-types-of-3d-printing/


The Mechanical system-Selective laser sintering
http://www.youtube.com/watch?v=lC0uVO_uT0s&feature=related (INtroduction about it)

Powder Type-Thermoplastics, metals powders
wiki's introduction about the material
http://en.wikipedia.org/wiki/Thermoplastics

so I think the idea i want to do is recycle artificial limb as plastic resource

http://www.youtube.com/watch?
v=EfbhdZKPHro
(Future printing concrete)

http://www.netfabb.com/mobile.php

http://concretely.blogspot.com/search/label/fabric%20formwork

2010-12-13

Drawing Update for Crit






The material collapse - also the new material deformation starting





The rapid-printing island - part of the skyline